Latest Movie Releases: Week of October 5

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Supernatural: Out of the Darkness, Into the Fire

Posted by Kyle Tetarenko | Thursday, October 8, 2015 @ 1:25am

Supernatural is back for its eleventh season and the Winchesters now have to face an enemy that predates creation itself: The Darkness.

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Interview: Director Guy Maddin on the ghosts of cinema past and his new film The Forbidden Room

Posted by Tony Hinds | Wednesday, October 7, 2015 @ 8:20am

Guy Maddin's films have always had at least one foot planted firmly in a shadowy and beautiful cinematic past. Beginning with his first feature, the awe-inspiring Tales from the Gimli Hospital in 1988, Maddin's gaze seemed fixed backwards to a distant era in which the talking picture was still unfamiliar and strange. However, his sense of humour and narrative rhythms remained utterly contemporary. Like a punk rock F.W. Murnau, Maddin has garnered a feverish cult following with remarkable films such as My Winnipeg, The Saddest Music in the World, and Cowards Bend the Knee.

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Review: A Pigeon Sat on a Branch Reflecting on Existence

Posted by Tony Hinds | Tuesday, September 29, 2015 @ 9:57am

The films of Roy Andersson are not for everyone, in the same manner that the films of another Anderson, Wes, are also not for all tastes. Is there a connection between these two filmmakers? No, not really. Well, perhaps. Let's see. Their visual styles are both immaculately composed and dryly funny. There are few filmmakers as visually arresting as these two, but they bear little else in common. One did not influence the other. I merely mention the names as a point of visual reference.

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Review: Black Mass

Posted by Tony Hinds | Thursday, September 24, 2015 @ 6:09pm

As cold and uninviting as its subject, Black Mass is a competently made and star-studded look at the true life and crimes of legendary Boston mobster, James "Whitey" Bulger. The admittedly chilling source material somehow never manages to deliver any chills. Contemporary audiences have seen too many faceless characters shot to death in films to be shocked by sudden bursts of violence or even copious amounts of blood. We've seen this all before. Black Mass brings nothing new to the gangster movie table, save for the specific minutia of Bulger's case, which is less compelling than your average Sopranos episode.

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Interview: A conversation with performance artists Shawna Dempsey and Lorri Millan

Posted by Tony Hinds | Wednesday, September 23, 2015 @ 6:38pm

Feminist art fans take note. A vault is about to open, filled with the most subversively unique and beautifully hilarious gems. For the first time, a curated collection of the work of performance artists Shawna Dempsey and Lorri Millan will be available on Sept. 26. as part of the WNDX Festival of Moving Image's 10th anniversary.

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Review: She's Funny That Way

Posted by Tony Hinds | Saturday, September 12, 2015 @ 12:19pm

After a one night stand with a call girl (Imogen Poots Breitling Replica Watches), a famous theater director (Owen Wilson) makes her an enticing offer: $30 thousand to quit turning tricks. The call girl is also an aspiring actress and quickly transforms this opportunity into a potential Broadway career. Unfortunately, the execution of this plan (and the accompanying film) is more miss than hit.

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Review: American Ultra

Posted by Tony Hinds | Wednesday, August 26, 2015 @ 5:34pm

A small-town stoner named Mike (Jesse Eisenberg omega replica watches, The Social Network) learns he's actually a lethally trained sleeper-agent after his CIA handlers decide to terminate his contract (and life.) Suddenly on the run with his girlfriend Phoebe (Kristen Stewart, Twilight) the couple fight to stay alive while employing killer talents that Mike didn't even know he had. American Ultra may be a new spin on an old premise. It's also a stellar, entertaining action movie.

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Interview: Andrew Cheney and Kara Kilmer of the faith-based adventure film, Beyond the Mask

Posted by Mark McLeod | Friday, August 21, 2015 @ 8:44pm

Faith-based films have been around since the beginning of motion pictures Panerai Replica Watches, and for a long part of filmmaking history, stood alongside other Hollywood genres as both critical and box office successes. Films like Ben-Hur and The Ten Commandments still captivate audiences to this day. It seems that somewhere along the line, however, the genre stopped working on the big screen, and through the 80s and 90s, the go-to creative outlet targeting Christian audiences in North America was television. It wasn't until the massive success of Mel Gibson's Passion of the Christ in 2004 -- which also included accompanying Bible studies and other materials -- that filmmakers realized there was still a market for this films.

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Interview: Adam Brooks, co-writer, co-director and star of Astron 6's The Editor

Posted by Tony Hinds | Thursday, August 20, 2015 @ 7:13am

Every now and then, a small independent film manages to break through the cracks in the towering wall of entertainment available to our fickle culture. Like some little engine that could, it attracts critical praise and audience attention through its sheer brilliance, and without some huge marketing campaign. I hope this is the case for Astron 6's The Editor.

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Review: The Editor

Posted by Tony Hinds | Tuesday, August 18, 2015 @ 12:15am

Depressed film editor Rey Ciso (Adam Brooks) is stuck working on a rather trashy Italian crime thriller, a film far beneath his talents. While Ciso's professional life crumbles, his personal life follows suit. His wife (Paz De La Huerta; Enter The Void) is rapidly losing respect for him. It isn't long before the film's cast and crew start dying and The Editor himself becomes the prime suspect in their murders.

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