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Ryan seems particularly punchy tonight, so let's get on with it, shall we?
Lee is first tonight, with like, I don't know, Nickelback's take on Owl City? So, "Fireflies," which I don't like on its own because it is boring and derivative, but which sounds especially hideous here without at least the fun bleeps and bloops.
A little over a week ago, I posted some Psych scoop on the heels of speaking with Steve Franks, the show's creator, writer, and executive producer. Well, that interview with Mr.
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We're gonna be whipping through these kids in just an hour, so brace yourselves.
Judges intro: Ellen is macking on Simon.
Katie Stevens! Kelly Clarkson! "Breakaway"! I already have whiplash! Vocally, it's... not as strong as I would expect from Katie. Flat flat flat. Also...
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8:00 PM
NBC / CITY The Biggest Loser
FOX / CTV American Idol
(Top
Much of the appeal of The Office is a result of combining diverse characters in an office environment, with plots that are driven by workplace related themes and the interactions that ensue. The Delivery, is unlike most episodes of The Office. Instead, it relies on slapstick, and the characters acting very much over the top.
Sorry about missing last week. I know it seems like a habit of one week on, one week off, but I have a good excuse. I was in Mexico for a good friend's wedding, and my resort in Mexico didn't have the Wi-Fi in the rooms that I thought it did.
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As the Academy Awards draw to a close, I'm reminded of something said at Friday's press conference in Hollywood with Oscar co-producers Adam Shankman and Bill Mechanic and Academy president Tom Sherak.
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