I am a Generation One Transformers child. I grew up riding my BMX to the store using my paper route money and allowance to buy Transformers action figures (this is back when child labour was only semi-frowned upon and letting kids go door to door at 5 AM multiple days a week was okay).
This weekend saw the opening of the sports film You Gotta Believe. Every generation has a "sports film" – for some it's Field of Dreams, for others it's A League of Their Own or The Sandlot, and for me it was Bad News Bears.
I'm not a huge horror fan; my tastes in the genre are very specific. If it's an Eldritch Lovecraftian tale, a lush gothic terror, or a pastoral folk horror? Count me in. Mainstream A-list stars and a hot TV actor/indie director making his first genre film using a flashy gimmick with lots of mainstream media buzz? Not interested.
Many know Brandon T. Jackson from his film career starring in Tropic Thunder, Percy Jackson, and the upcoming I'm Beginning to See the Light. But before that, he was a young stand-up comic.
I wasn't sure what to think going into The Marvels. While I was a strong supporter of Brie Larson as Captain Marvel, the eventual eponymous film that we got and the uneven use of her in subsequent appearances had me uncomfortable.
On a Sunday in 1990, I stood in an empty mall (stores where I lived weren't open on Sunday back then) waiting in line for the original Teenage Mutant Ninja Turtles film with my little brother. At 16, I was a fan of Laird and Eastman's black-and-white indie comic.
A hagiography is defined as two things: the writing of the lives of saints, and a biography that idealizes its subjects. The new Disney+ biography Stan Lee does both of those things and fits the descriptor perfectly.
Stan Lee is a controversial character.
Let me start by saying that I have a troubled relationship with the Transformers film franchise. I am a Gen-X Gen 1 Transformers lover who dreamt of owning my own Metroplex play set.
When Marvel announced that they hired James Gunn to direct a Guardians of the Galaxy film, my first reaction was "huh?" A Troma director with a problematic social media presence whose biggest claims to fame were 2 films about worms -- one big (Tremors) and one small (Slither) -- and a deconstruction of the superhero genre (Super) starring Rainn Wils
I stood in the audience to see New Order, a band with a dark and tragic past whose phoenix-like rise from the ashes of Joy Division was the source of several documentaries and biopics.
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