Review: A Quiet Place: Day One

Posted by: Matthew Ardill  •  June 27, 2024 @ 9:00am

I'm not a huge horror fan; my tastes in the genre are very specific. If it's an Eldritch Lovecraftian tale, a lush gothic terror, or a pastoral folk horror? Count me in. Mainstream A-list stars and a hot TV actor/indie director making his first genre film using a flashy gimmick with lots of mainstream media buzz? Not interested.

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Review: The Marvels

Posted by: Matthew Ardill  •  November 15, 2023 @ 8:46pm

I wasn't sure what to think going into The Marvels. While I was a strong supporter of Brie Larson as Captain Marvel, the eventual eponymous film that we got and the uneven use of her in subsequent appearances had me uncomfortable.

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Review: Teenage Mutant Ninja Turtles: Mutant Mayhem

Posted by: Matthew Ardill  •  July 31, 2023 @ 3:38pm

On a Sunday in 1990, I stood in an empty mall (stores where I lived weren't open on Sunday back then) waiting in line for the original Teenage Mutant Ninja Turtles film with my little brother. At 16, I was a fan of Laird and Eastman's black-and-white indie comic.

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Review: Stan Lee

Posted by: Matthew Ardill  •  June 27, 2023 @ 4:58pm

A hagiography is defined as two things: the writing of the lives of saints, and a biography that idealizes its subjects. The new Disney+ biography Stan Lee does both of those things and fits the descriptor perfectly.

Stan Lee is a controversial character.

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Review: Transformers: Rise of the Beasts

Posted by: Matthew Ardill  •  June 6, 2023 @ 6:00pm

Let me start by saying that I have a troubled relationship with the Transformers film franchise. I am a Gen-X Gen 1 Transformers lover who dreamt of owning my own Metroplex play set.

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Review: Guardians of the Galaxy Vol. 3

Posted by: Matthew Ardill  •  May 6, 2023 @ 6:41pm

When Marvel announced that they hired James Gunn to direct a Guardians of the Galaxy film, my first reaction was "huh?" A Troma director with a problematic social media presence whose biggest claims to fame were 2 films about worms -- one big (Tremors) and one small (Slither) -- and a deconstruction of the superhero genre (Super) starring Rainn Wils

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Review: Weird: The Al Yankovic Story

Posted by: Matthew Ardill  •  October 31, 2022 @ 8:08pm

I stood in the audience to see New Order, a band with a dark and tragic past whose phoenix-like rise from the ashes of Joy Division was the source of several documentaries and biopics.

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Review: Weed & Wine

Posted by: Andrew Lizotte  •  October 20, 2020 @ 8:39pm

When you watch a documentary called Weed & Wine, you pretty much know what you're getting into: you're going to learn about two worlds that are similar and yet different. This is personified in a cannabis farmer from California and a family vineyard in France. The film does this quite well. I was genuinely interested, and learned in a way that didn't feel heavy handed.

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Review: Feast of the Seven Fishes

Posted by: Andrew Lizotte  •  October 18, 2020 @ 8:19pm

In an effort to avoid burying the lead, I enjoyed Feast of the Seven Fishes, and there's a lot of heart to unpack. However, like many decent films, its intentions are slightly off. The film doesn't really work as a romantic comedy, but as a time capsule, it's very strong.

Writing a romantic comedy is hard.

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JFL42 Reviews: Between Two Ferns, Broad City, and Nick Kroll

Posted by: Andrew Lizotte  •  September 21, 2019 @ 4:06pm

Between Two Ferns: The Movie

September 20, 2019 • 2:00 PM @ TIFF Bell Lightbox

"How do I turn a five minute sketch into a feature length film?" is the age-old question that I'm sure keeps Lorne Michaels up at night.

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