For the second time I was given the pleasure of interviewing Toronto-based filmmaker Ingrid Veninger. Since the debut of her film Modra at last year's festival, she has become one of the most recognizable new faces in Canadian cinema. Physically, she is distinctive as well: her dreadlocked hair sits massed atop her head, almost threatening to topple her itty-bitty frame.
During the final days of this year's Toronto International Film Festival, I had the opportunity to speak to three Canadian women, all at the festival promoting their feature directorial debuts: Deborah Chow (winner of the Skyy Vodka Award for Best First Feature by a Canadian Director), Katrin Bowen, and Ingrid Veninger.
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