Movies
As the Academy Awards draw to a close, I'm reminded of something said at Friday's press conference in Hollywood with Oscar co-producers Adam Shankman and Bill Mechanic and Academy president Tom Sherak.
Tonight the film world came together to celebrate the best in motion pictures with the 82nd Academy Awards. We love the Oscars here at ShowbizMonkeys.com -- the movie stars, the spectacle, the whole thing -- but we also like picking our own favourites in movies. Since this site began under our old name in 2001, we've been choosing our own top movies of the year.
ShowbizMonkeys.com is currently in Los Angeles putting together pre-show Oscar coverage, but we won't be at the actual Academy Awards Ceremony.
Despite a Best Director Oscar and numerous accolades, the last decade hasn't been Martin Scorsese's best: his films either lumbering behemoths or modest retreads. Gangs of New York was uneven, The Aviator overstuffed (in the way biopics habitually are), and The Departed a throwback to the mob genre which made him a household name.
In the post-Twilight Era it is difficult to take werewolves, vampires, and their ilk seriously; and even more difficult to find them scary. The Monster Movie, while it sputters in anemic existence by coupling itself with romances, comedies and action flicks, is, in the purist sense, dead.
Actors Clarke Duke (Sex Drive, ABC Family's Greek) and Collette Wolfe (Observe and Report) were in Toronto earlier this week for a press tour of the upcoming Hot Tub Time Machine.
For the first time in over half a century, there are ten films nominated for Best Picture at the Academy Awards. Many thought that this may dilute the prestigious category, while others hoped it would open up the door to certain types of films that deserved nominations but are often ignored by the Oscars.
For several days now I have been deliberating how to write this review. I considered an ironic approach (e.g.
Amongst a largely unexciting group of winners, Avatar stood as the only feature with multiple Golden Globe victories, winning for Best Picture (Drama) and Best Director (James Cameron).
Alice Sebold's best-selling novel, The Lovely Bones, is many things: a sentimental ghost story, a literate crime novel, and, in its best moments, an intimate character study set in 1970s American suburbia. Director Peter Jackson's adaptation grasps the first two aspects but, unfortunately, fails to capture the third.
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