Movies
Back in February, ShowbizMonkeys.com was once again invited to hit up the red carpet at the Academy Awards. But just like last year, we weren't given access for the official pre-show arrivals. That didn't stop us from seeing a few stars and getting to ask a few questions, though.
This isn't a contest -- in fact, it's even better, because nothing is left to chance!
Enjoy a FREE Large Popcorn and Large Fountain Drink when you buy a ticket to The Soloist, starring Jamie Foxx and Robert Downey Jr., playing at AMC Theatres in Toronto now.
The Los Angeles United Film Festival -- part of a series of United film festivals that also takes place in San Francisco, Tulsa, Chicago, New York, and London -- calls itself "a film festival for everyone, a place where art and community converge." After founding the Tulsa United Film Festival seven years ago, filmmaker Jason Connell began the Los Angeles fe
Beautiful. Magnificent. Transcendent. These are all adjectives I would use to describe Earth, the first film released under the newly formed Disneynature production label. That being said, the film does not exist because of anyone at Disney's mind-blowing vision. Rather, Earth is a condensed new edit of the groundbreaking BBC series, Planet Earth.
If you're not watching Chuck on NBC every Monday, you should rectify that. We know, we know -- there's lots of great television on at 8 on Mondays. House is on. The Big Bang Theory and How I Met Your Mother are on.
Trevor Moore started the comedy troupe The Whitest Kids U Know back in 2000 after trasferring to New York's School of Visual Arts.
Sunshine Cleaning aspires to explore several meaningful ideas and themes: coming to grips with aging, failed ambitions, childhood trauma, the grieving process, the effects of being brought up in a single parent home, and the aftermath of violent deaths.
Bruce McDonald's career may have now spanned decades, but the nearly fifty year old film director's youthful appearance, friendliness and enthusiasm don't suggest any tiredness of the frustrations associated with independent filmmaking.
It's been twenty years since his first theatrical feature, Roadkill (1989), flickered across cinema screens in Canada.
Since I attending the screening for I Love You, Man, I've had mixed emotions about it. This has probably been one of the most difficult reviews for me to write and I don't know why. This was one of my top 5 "films I'm most excited to see in 2009". I've been anticipating it since I first heard of the premise.
I'll be honest: when I first glanced at the press material for RiP: A remix manifesto I was filled with dread.
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