If the volume in your head phones is too loud, brace yourself. You will not be gracefully welcomed into Killswitch Engage's latest offering, Disarm the Descent. You will be welcomed to relentless screaming and pounding guitars.
Tegan and Sara, the Canadian folk pop twin sister duo, have been performing together for almost 20 years and making records for nearly 15. With six studio releases under their belt, floating mostly between indie folk and rock, the sisters' seventh record (Heartthrob, released on January 29, 2013) takes them head on into a commercialized pop sound.
"I was not the lead in that movie." – Micah Sherman
"You mean -- you weren't the lead in that Matthew McConaughey movie?" – Myq Kaplan
If you were to describe Please Be Seated, I would probably turn up my nose at first: An album of comedic songs written/performed in an almost Simon and
Friday at the Winnipeg Folk Festival is always the first full day, with daytime workshops and concerts taking place at the various smaller stages throughout the festival grounds. While the workshop idea isn't completely unique to Winnipeg, for many artists, it's not only a new idea but in some cases, even intimidating.
Not wanting to repeat the mistakes of the previous day -- especially with our Thursday choice for "Artist of the Day", Good Old War, leading off the night -- we arrived to Bird's Hill Park for Day 2 of the Winnipeg Folk Festival before the first notes chimed off the main stage.
Arriving to Bird's Hill Park and the Winnipeg Folk Festival grounds a bit late on the first night of the festival unfortunately meant missing some very talented artists in Snowblink and James Vincent McMorrow (luckily this wasn't our only opportunity to hear either of them, as they'll both be part of the "Your Indie Heart" workshop on Friday afternoon).
ShowbizMonkeys.com tries to bring you loads of coverage from festivals and cultural events, both from our own back yard (Winnipeg Comedy Festival) and around North America (San Diego Comic-Con, Montreal's Just for Laughs Festival). Each festival has its unique charms, and besides hopefully providing interesting things for you to read, listen to, or watch, it's also insanely fun for us. But it's been no secret on these digital pages which festival excites us the most: The Winnipeg Folk Festival -- with its genre-bending (but generally fairly rootsy) line-up of musical acts, the great landscape and climate of the Canadian prairie in July (with a hot sun, and hopefully mosquitoes kept at bay by some friendly dragonflies), and the friendliest group of volunteers and festivalgoers you'll find anywhere -- is the best five days we spend every year.
During his TD Jazz Lab at the Manitoba Music Conservatory, Lucky Peterson played to the people. Taking requests and telling tales, the Buffalo bluesman gave a preview of his storied career. Joined by his wife Tamara, Peterson encouraged audience participation through a number of classics and standards.
"Jazz is not just a genre of music," announced Steve Kirby.
The Manitoba bassist had Juss Jazz packed elbow-to-elbow while his hot quartet ended their set. As the evening unwound, venues facilitated genre-spanning performances all under the Jazz Festival banner.
"I'm so sorry, this is not jazz," proclaimed a flustered patron to his table.
It was midway through Larry and His Flask's set. The man was in a suit and accompanied by two women in fancy dresses. Everyone else in The Pyramid Cabaret was dressed casual, in vests or had facial hair. After killing another shot, the trio departed.
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